Live the life you dream

Anonymous said: just out of interest, what philosophy and why?


She thinks that “making movies is stupid" in comparison to jobs that "save lives", as though art isn’t a reflection of our culture as a whole and is therefore essential to our society. As though art doesn’t save lives on a daily basis. As though theatre does not take years upon years of acting and training, just as much as a more academic subject. As someone who pours hours of time and dedication and passion in acting on a daily basis, that is infuriating. Jennifer Lawrence get’s to live my dream career every day, and she thinks art is stupid??? What a foolish thing to believe. 

There’s also a quote she said in an interview once which goes against my personal acting training: "I don’t get emotionally drained, because I don’t invest any of my real emotions … I just use my imagination. If it ever came down to the point where, to make a part better, I had to lose a little bit of my sanity, I wouldn’t do it."

The thing is that acting is about real emotions. Jennifer Lawrence has never studied acting professionally and it’s obvious in the worst way possible. Contrary to popular belief, acting is not about putting on a new face. It’s not about ‘imagining’ or ‘pretending’ - those words should be a red flag for anyone studying acting as an art form. 

Acting is an inter-disciplinary skill drawing from psychology, sociology, literature, history, linguistics, anthropology, and philosophy. Acting is about expanding your understanding of the human condition to allow for other human beings to manifest themselves within your body. Acting is not “faking”; it is taken the circumstances and reacting to them appropriately. 

Human beings are formed from experiences and upbringings. We are reflections of our daily life. We are born with a variety of traits and chose to emphasize or reject certain ones as time goes one. When you act, you aren’t “pretending” to be someone else. You are looking at someone else’s life story and expanding your personal worldview to include theirs. It is so much more complicated than saying lines and acting emotional, and Jennifer Lawrence doesn’t seem to understand that. 

The best actors are the ones who take risks. The best actors are the ones who are willing to work every goddamn day to understand a character. Acting is raw and real. The best roles are the ones that DO take away a piece of your sanity. They force you to think and question and react to information in ways you never understood before.

I think it is a shame that Jennifer Lawrence has won the greatest award in the film industry. It’s clear she does not fully understand or appreciate the magnitude of her work. Acting is about human beings. It is about why people are the way they are. It is about how people interact and the consequences of those interactions. 

Acting is complicated and fascinating. It is a never-ending study of the human condition. Jennifer Lawrence has tried to simplify the dedication and work required for her craft. I refuse to accept that mindset.

“Failure is unimportant. It takes courage to make a fool of yourself.”

—   Charlie Chaplin  (via modernhepburn)

(Source: getspangled, via modernhepburn)

“Seek respect, not attention. It lasts longer.”

(Source:, via mary4mars)


Bryan Cranston’s Advice to Aspiring Actors

The Great Acting Blog: “22 Priniciples For Better Acting”


Number 5 has been updated.

(in no particular order)

  1. Everyone tries to do the best they
  2. Total commitment to my action.
  3. Total commitment to my action
    requires will, disicipline, and courage.
  4. Tell the truth.
  5. Practice craft habitually.
  6. Practice my action til it’s
  7. Have the strength of mind to
    analyse the script correctly.
  8. Ensure every line of dialogue is
    encompassed by my action.
  9. Only concern myself with action.
  10. Be generous.
  11. Trust my preparation.
  12. Preparation is a point of
    departure, not the destination.
  13. Don’ try and force the moment to
    conform to my preparation, improvise in the moment in response to
    what is actually happening in the moment.
  14. Memorize the lines until they are
  15. Your performance is a presentation
    before an audience.
  16. Character is created in the mind
    of the viewer by the juxtaposition of the actions of the actor with
    the fiction of the script.
  17. Relax.
  18. Give everything.
  19. Use your imagination.
  20. Any emotion which is not
    organically created by my attempts to do my action, is a lie.
  21. The outcome is no concern of mine.
  22. Listen.

*Bonus! “Learn your lines, find your mark, look `em in the eye and tell `em the truth.” – James Cagney

Subscribe to The Great Acting Blog

“Being afraid to take challenges is scarier than actually doing things that challenge you.”

—   Simone Ekeles, Leaving Paradise (via aliewa)

(via maigaroseiswaiting)


The Actor’s Marketing Checklist: 9 Tools You Need


1. Headshot. You need one great photo or four “looks” for different markets in color. The four looks you’ll need are as follows:

Personality Shot: This photos shows who you really are.
Commercial Shot: You should smile with teeth and wear bright, warm colors. (No black!)
Film/TV Shot: Be realistic. Who you could play in a daytime or primetime TV series or Film? This can be edgy, funny, racy, goofy, or dramatic—but must be full of character and your personality. It’s important to know where you fit in because that’s how you get hired! Some examples include compassionate doctor, tough lawyer, suburban mom, snotty teen, wealthy CEO, and brawny fireman.
Theater Shot: a serious headshot or three-quarter length.

2. Resume. Have it designed by a graphic artist and get the advice of a coach or mentor concerning the content. Have simple categories like theater, film, TV, training, education, and skills. Put personal stats at the bottom of the page. Have a small photo that contrasts your usual headshot so they can see your range and personality.

3. Business card. Have one designed with a photo on one or both sides. Have your name, phone, e-mail, and website listed. Don’t add your stats or the words “actor,” “performer,” or “singer.” Add your union affiliations.

4. Composite card (Comp card). If you want to work in commercial print, this is essential. Put four body shots on one side and a great headshot on the reverse with all your stats: height, weight, hair color, eye color, dress/suit size, shoe size, glove size, hat size. This tool is more about your body/image than about your acting ability.

5. Bio. Your bio should be four paragraphs listing your major credits, training, recent roles, and personal interests. You don’t need this on a daily basis nor do you send it out often. You need to have one on hand for when you do get cast so it is ready to be put in a Playbill. Make sure it is in your press kit.

6. Demo reel. Your demo reel should be one to two minutes tops. It should show mini-clips of your best work as well as just moments where you look great or show your unique qualities. It all helps to sell you as a viable product. Remember it’s not just about acting. Clips could be real guest episodics, feature films, or indie/student scenes as long as it’s professional looking. If you can hire a professional to write, produce, and shoot a scene that really shows your type, you’ll work sooner!

7. Website. Your website should include photos, resume, bio, clips, and possibly a blog. On your blog, you can talk about your life, what you love, what inspires you, etc. With all of the above, we have found that actors have better chance of getting representation and management. You will be giving your agent/prospective agent the tools they need to represent you properly so they do!

8. Marketing plan. Without a plan, you are going nowhere. You need to have definite goals, the right mindset, and a timeline—what you want to achieve within a reasonable schedule. This should include your own newsletter, e-zine, e-mail campaign as well as personal meetings and referrals to industry members.

9. A mentor. When you have someone in your corner, your career moves a lot faster. A mentor can keep you accountable, advise on everything from marketing tools to acing an agent interview and pick up the phone to refer you to top industry professionals!

As the founder and executive director of The Actors’s Market, Gwyn Gilliss provides free monthly info seminars, agent/casting director interview tele-seminars, weekly marketing tips, as well as many coaching programs to help actors break into both the NY and L.A. industries. Gwyn has tremendous success with her private career coaching clients. More than 90 percent get agent representation launching their careers with performances in feature films, Broadway productions, and Emmy-award-winning primetime TV series, such as “The Good Wife,” “White Collar,” “Grey’s Anatomy,” “NCIS,” “House,” “Law & Order,” “30 Rock,” “Criminal Minds.”

haa I don’t know why but this type of thing gives me so much anxiety

(via maigaroseiswaiting)


Django Unchained



GYPSY, 2008. Closing Night.

these pictures! I love them so much. what a perfect view.



GYPSY, 2008. Closing Night.

these pictures! I love them so much. what a perfect view.

(Source: iampoppycock, via musicaltheatreramblings)